Motivation Behind the Murder of Santiago Nasar’s Murder and Exploration of the Themes of Ethnical Conventions and Women’s Societal Roles...

This passage from Gabriel Garcia Marquez's, Chronicles of the Death Foretold, occurs by the end of section two shortly after Angela Vicario is go back to her family members in bad after her groom finds that your woman had premarital sex with another gentleman. In this draw out Angela Vicario is beaten viciously although silently on the hand of her mother for shaming the family honor prior to her double brothers pressure her to stop the name of the man whom the girl lost her virginity to, in which she names a great innocent guy, Santiago Nasar. Within this passage, the importance of honor is definitely evident when the lost virginity of Angela leads to the disgrace of both her groom and her friends and family as well as ultimately causing the loss of life of an innocent man in Santiago Nasar by result. It is also in this particular passage that readers identify the motive behind the murder of Santiago Nasar, which is learned to be a regrettable coincidence, which along with the different coincidences in the rest of the story convey the concept Santiago fatality was indeed a loss of life foretold. This kind of passage can be significant as it reveals two central styles in the - the problems with outdated conventions of a contemporary society, and the idea of fate- along with revealing probably the most crucial part of the book, the inspiration behind the murder of Santiago Nasar.

From this novella, Marquez attempts to express the conferences of a South American contemporary society. From this passing alone, it truly is clear essential the chastity of a woman and prize is for a family group. Bayardo San Roman results Angela on a single night of all their wedding because he discovers that she lost her virginity to another guy before their marriage. The humiliation of experiencing a wife whose virginity was taken away from her by one more man can be cast after San Roman because of the customs of the contemporary society which makes him to come back her despite his like for her. Marquez unveils the customs with the society in case of such as San Roman's refusal of an impure Angela to be able to subtly criticize...

Cited: Marquez, Gabriel Garcia. Chronicles of the Death Foretold. Trans. Gregory Rabassa.

New York: KNOPF, 1982.



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