The poet person narrates a true experience with his own dad from when he was a teenager. In the last stanza the poet looks back, old ‘twenty nine'. The poet marks the time shift by simply shifting coming from past into present tense. This poem is a nostalgic look again at a defining minute from Armitage's childhood, his relationship together with his father and exactly how he feels about it right now.
From the 1st words in the title, ‘My father' shows that Armitage's memory space of his childhood, such as the poem is definitely dominated, viewed, by his father. The result is become more intense by the fact that the words 'my father' are repeated in the first collection.
As a adolescent, the poet's father is an authority figure. Armitage calls him ‘father' which can be formal and seems distant, commanding admiration. However , his father uses colloquial vocabulary ‘lost the head' ‘easily led'. These kinds of proverbial phrases are judgemental and don't display real connection, which adds to the sense of distance.
However , his son can almost read his father's thoughts, which suggests a type of closeness: ‘my father thought it weakling queer'. ‘bloody queer' can't be the way the poet would describe himself, mainly because it seems as well harsh and violent. It appears to fit while using colloquial, judgemental phrases that his daddy uses. The poet is usually close enough to his father to be able to 'become' him - for these lines in the poem. ‘queer' is used to condemn something that doesn't conform. The full poem is around rebellion.
The first stanza has a frequent rhyme plan with aabbb; however in the other stanza, the rhyme plan starts to breakdown and appears irregular. This kind of echoes the breakdown in authority or control while the poet rebels. Inside the final stanza, a kind of balance or bargain is reached, the initial and previous lines rhyme together (12, 15), nevertheless the middle two are free, or unrhymed (13, 14).
The words ‘slept' and ‘wept' happen to be rhymed, with ‘wept' within a prominent position at the end in the stanza, and this is emphasised by...